- The free TAL-BassLine VST plugin by Togu Audio Line features 1 pulse oscillator, 1 saw oscillator, 1 sub oscillator (square/ pulse), and 1 noise oscillator. The TAL-BassLine synth has a 18dB/oct filter, 1.
- What's the best free VST for sub bass? I'm still kinda learning and practicing and I just realized I never use sub bass in my beats. I want to start experimenting with it to get more variety in my beats but I can't find anything that sounds good.
- Free vst plugins September 3, 2018 No Comments Bass extender Compressor subbass size 1.07 MB Experimental subbass extender plugin (based on a frequency divider and a low band compressor). Christian page ( 1.07 MB ).
- A free and very versatile synth VST, Tunefish 4 can infuse life in your compositions through its powerful presets. 15) OSL Chorus Free Chorus Plugin An emulation of the chorus effect module of Roland Juno 60 hardware synthesizer, OSL chorus is strictly meant for fans of euphoric choruses in the mix.
Wanna learn how to make your tracks shake up the whole club?
Meet your new best friend: sub-bass.
The Sample Sub Bass Free Sample Pack – 24 thick sub bass samples; 808 Mob Free Hip Hop Sample Pack – 17 powerful 808 samples + a bunch of other FX and drums; BVKER Wheezy Inspired Drum Kit – 102 royalty-free drum one-shots and a bonus FLP. Frequently Asked Questions What is an 808? The 808 originally comes from Roland’s TR-808 drum.
It’s all over music, whether it’s the main actor (like in dubstep or reggae) or a supporting role in a tune.
Understanding sub bass it key for making deep, earth-shaking basslines or for complementing other instruments with low-end richness. Sub-bass will give you a solid foundation to build your mix on.
Mixing sub-bass is the tricky part. A lot of home studios are not equipped with the speakers and subs that allow you to fully hear those frequencies.
But if you know what you’re doing, you’ll achieve great results without the need of a fancy sub.
So here’s exactly what you need to know about sub-bass—including how to make it and how to mix it to get a massive sounding mix.
What is Sub-Bass?
808 Bass Vst
Sub-bass is a very low-frequency range. It starts around 60Hz and goes down to the lowest frequency that humans can hear, about 20 Hz. Sub-bass frequencies are so low you often ‘feel’ them more than you hear them. Think about the sensation of being at a club where you can feel the beat vibrating through your body.
You need subwoofers to really hear sub-bass – soundsystem culture knows how to do this right.
But a pair of really good headphones will do!
Here’s some examples of what powerful sub-bass sounds like (put good headphones on or use proper speakers – you won’t hear it on computer speakers):
How to Make Sub-Bass in Your DAW
Ok, so the two best ways to use sub-bass are:
- As a supporting layer to your main bassline. The sub-bass will play the same notes but in much lower range (the octave of C2 on the piano roll and lower)
- As the main bassline itself (like in some examples above)
In this sub-bass tutorial you’ll learn how to do the second option. I’ll show you how to make a huge central bassline using all sub-bass.
I’m using Ableton Live but this applies to any DAW.
1. Make a separate MIDI track
2. Drag your favorite synth or synth VST on that track.
I used Ableton’s ‘Analog.’
3. Keep only one oscillator (Osc1)
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4. Set the wave shape to ‘sine’
5. Draw a MIDI pattern in the very low octaves on the piano roll (below C3)
My bassline sounds like this now (4 bars looped):
http://blog.landr.com/wp-content/uploads/2016/10/bassline-1.wavWith my drum track, it sounds like this:
http://blog.landr.com/wp-content/uploads/2016/10/track-1-LANDR-Medium.wavThis is what my drum pattern looks like (I used the Kit-Core 707 drum kit):
Things to remember
Sub-bass doesn’t require much processing (no need for compression or anything). At low frequencies just a pure sine tone generated with a synth is often the most powerful sub-bass.
Try a different pattern that works with your track. Have the main frequency (the frequency that defines your sound or the one with most ‘energy’) of your sub-bass hit between 40-60 Hz.
Make your kick hit about an octave higher, around 120 Hz. That way it won’t interfere with your bass too much. Plus your track won’t sound ‘boomy’ or ‘muddy’ in the final mix.
Don’t know how to find out the frequency of a sound? Check out the “Use a Spectrum Analyzer” section below.
No Subs No Problem: Mixing Sub-Bass Without a Subwoofer
If you don’t have a proper speaker setup don’t worry.
Headphones work great as well. I’m talking about over-the-ear quality headphones. Earbuds won’t cut it – although I’ve heard people mix astonishingly well on those…
Here are a few tips that will help you mix your sub-bass without a subwoofer:
Use a Spectrum Analyzer
Most DAWs come equipped with a spectrum analyzer – or an EQ that allows you to visualize the frequency spectrum.
In Ableton, find it under Audio Effects – it’s called simply Spectrum. Vst plugin 3x osc скачать. Drag it on any track.
This graph tells you what frequencies (in Hz) are present in a particular sound. By looking at it while you play your track, identify the main frequencies. Those are where the bump hits the highest.
Do Some EQ Carving
Elsewhere we’ve talked about how to avoid getting a muddy sound. This is especially important if you’re working with frequencies that might compete for space in your mix (like your sub-bass and kick).
Use the information you see from your spectrum analyzer when EQing. Cut some of the low ends of instruments that don’t need it that much, like synths and vocals. Even selectively cut some very low end of your drums.
For the example I showed before, here is how I EQed the drums:
And how I EQed the sub-bass:
Free Sub Bass Vst
Use a Reference Track
Do you know a track with perfectly mixed sub-bass? Use it for reference.
Make a new audio track in your DAW and drag it in. Check that the sound resolution matches your session, usually wav at 24 bit and 44.1 kHz.
Use it as a reference for your own mix – this is called mix referencing.
It’s all about that (sub) bass
Sub-bass is what gives body to a track, whether it’s your main bassline or the deep bass layer.
Mixing sub-bass is tricky. But you’ll get it right if you follow this tutorial and tips.
Use good headphones. Use your spectrum analyzer. Do some EQ carving. Use mix referencing.
After that you’ll be ready to make a whole room shake with your massive sub-bass! Womp womp.
PLEASE NOTE: Bass Engine 2 is a completely new plug-in and is not an update to Bass Engine 1
It has been two years since we released our best ever selling plug-in “Bass Engine” and we are delighted with the response we have received from all the Boom Bap producers that have brought it. The one request we have heard more and more though, was the need for more 808’s and vintage analogue sounding bass instruments, so here at DopeVST we made sure to fill this VST with fat 808’s, heavy Moogy subs, futuristic deep pads and a cool collection of uprights and electric basses just for good measure. If you have Bass Engine 1 and 2 in your collection you pretty much have every bass sound you could possibly use in Hip Hop production, no doubt!.
With Bass Engine 2 we have decided to create a bass plug-in that will fulfil all your 808, sub and vintage bass synth requirements. You will find over 300 brand new bass instruments all lovingly eq’ed and processed through a Drawmer 1961 Dual Vacuum Tube Equaliser for that deep low end warmth and solid mid punch where needed.
The 808 is undoubtedly the king of the bass in Hip Hop/Trap right about now and has been for nearly a decade or more, because of this we had to make sure the 808’s in Bass Engine 2 punched harder and deeper than any 808 VST’s released so far. We also spent time cooking up never heard before layered 808’s mixed with a crazy assortment of synth stabs and pads to give your productions a fuller, fatter sound.
The first 150 presets in Bass Engine 2 are devoted strictly to the legend that is the 808, deep booming tones and spacey sub-bass goodness.
Since the 1970’s hardware synths have been capable of producing a vast range of low end tones, rich in harmonics and analogue warmth so its understandable that these once forgotten musical beasts are now commanding huge prices to lucky collectors. Nothing can compare to the original hardware units sound but we have done our best to bring you a flavour of what these classic synths are capable of.
The second 75 presets in Bass Engine 2 represent this huge range of sonic delight ranging from moody, deep tones to short, punchy bleeps and everything in between.
In an age where hardware and software bass synths reign supreme in Hip Hop production, the classic electric bass and upright still have a place in the sonic landscape. Both are capable of plenty of low end goodness while still having enough mid punch to cut through any mix, plus there are times when your beat just needs that vintage character.
The next 50 presets includes dusty uprights. the classic jazz bass, deep dub vibes and a whole selection of dope live bass instruments.
Guitar vst free mac 2017. The sub-bass is probably one of the most loved basses in music today, whether its liquid drum and bass or Southside drill you will find this pure bass tone underpinning many ill beats, creating low end vibes that will rattle any speaker and make the club rumble all night.
The final 25 presets include a variety of pure sub bass along with a unique collection of subs mixed with subtle haunting pads, abstract stabs and cinematic textures.
- 300 Hip Hop bass instruments including 808’s, Sub Bass, Vintage Bass and more
- Treated with a Drawmer 1961 Dual Vacuum Tube Equaliser for warmth and punch
- Built in pitch, pan, glide and volume controls
- Built in flexible ADSR controls
- Hi & Lo Pass Filter
- Mono, Poly and Legato modes.
- Soft, Normal and Hard velocity modes.
- Ultra low CPU usage [perfect if you own a laptop / tablet / low spec PC/MAC]
- Ultra fast patch loading [flick through patches in lightening quick times]
- Program your basslines manually or use a MIDI/USB controller/keyboard/MPD
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